London: T. Fisher Unwin, (1923). Original dark green cloth, with dust jacket. First English Edition, published two days after the American trade edition. In December [1921], Conrad began The Rover as a short story. It was clearly an outgrowth of his stay in Corsica... [which] triggered a whole series of memories.....
![THE SECRET AGENT. A Drama in Three Acts [1/1000 copies signed]. Joseph Conrad](/pictures/thumb/13073.jpg?v=1564065607)
London: Privately Printed for Subscribers only by T. Werner Laurie, 1923. Original parchment-backed boards with spine label, with dust jacket. First Published Edition, which is to say the Limited Edition -- being one of 1000 numbered copies signed by Conrad (this being #475). This was Conrad's dramatization of his 1907.....
![A SET OF SIX [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/12667.jpg?v=1564065604)
[inscribed to Llewelyn Davies] Garden City NY: Doubleday, Page & Company, 1915. Original dark blue cloth. First American Edition of this collection of six short stories. The English edition had been published in 1908, and in the same year one of the stories, "The Duel," was published alone by McClure.....
![THE SHADOW-LINE [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/12671.jpg?v=1564065604)
[inscribed to John Millais] A Confession. London & Toronto: J. M. Dent & Sons, (1917). 18 pp undated ads. Original light grey-green cloth decorated in brown. First Edition, first issue (so stated), of Conrad's third autobiographical (though fictionalized) work -- "a Far-Eastern story of a haunted ship... No reader of.....
London: Eveleigh Nash, 1912. 2 pp undated ads. Original dark blue cloth. First Edition of this autobiographical work, which initially appeared serially in Ford Madox Ford's newly-founded "English Review." What is remarkable about Conrad's reminiscences is how clearly he employed fictional techniques worked out with Ford,... wherein the narrative intensity increases.....
London: Eveleigh Nash, 1912. 2 pp undated ads. Original dark blue cloth. First Edition of this autobiographical work, which initially appeared serially in Ford Madox Ford's newly-founded "English Review." What is remarkable about Conrad's reminiscences is how clearly he employed fictional techniques worked out with Ford,... wherein the narrative intensity increases.....
With a Preface by R. B. Cunninghame Graham. London: T. Fisher Unwin, (1925). Original dark green cloth, with dust jacket. First (English) Edition, published on the same day as the American. This posthumous collection of four tales, published the year after Conrad died, includes "The Tale," considered to be one.....
With a Preface by R.B. Cunninghame Graham. Garden City NY: Doubleday, Page & Co., 1925. Original blue cloth, with dust jacket. First Edition (American -- published on the same day as the English edition). This posthumous collection of four tales, published the year after Conrad died, includes "The Tale," considered.....
Garden City NY: Doubleday, Page & Company, 1923. Original navy blue cloth decorated in gilt. This is a volume from the "Concord Edition" of Conrad's works, published the year before his death; included is a fold-out map of the world showing all 19 of Conrad's literary voyages. The volume is.....
A Smile of Fortune | The Secret Sharer | Freya of the Seven Isles. London: J. M. Dent & Sons, 1912. Original olive green cloth. First Edition, second binding state (of three). This collection of three tales is known primarily for the middle one, "The Secret Sharer" -- Conrad's best-known.....
[in (original?) glassine] Hodder & Stoughton / New York / George H. Doran Company, n.d. [1912]. Original red cloth. First American Edition of this three-tale collection best known for "The Secret Sharer" -- Conrad's most famous short story other than "Heart of Darkness." This was Doran's first and only printing.....
London: William Heinemann, 1903. 2 pp preliminary ads + 32 pp terminal ads, undated. Original dark grey cloth with front-cover life preserver in gilt. First Edition, first (i.e. non-Colonial) issue, limited to 1,500 copies. In addition to the title tale, the "other stories" are "Amy Foster," "Falk" and "To-morrow" ("Falk".....
London: William Heinemann, 1903. 2 pp preliminary ads + 32 pp terminal ads, undated. Original dark grey cloth with front-cover life preserver in gilt. First Edition, first (i.e. non-Colonial) issue, limited to 1,500 copies. In addition to the title tale, the "other stories" are "Amy Foster," "Falk" and "To-morrow" ("Falk".....
Garden City NY: Doubleday, Page & Company 1915. Original navy blue cloth decorated in gilt. First Edition (published six months before the London edition) of Conrad's sad tale of Axel Heyst and the evil (for which read "Germanic") Schomberg. Due to the six-month delay of Methuen's edition, with the Great.....
An Extravagant Story. New York: McClure, Phillips & Co., 1901. Original tan cloth pictorially decorated in black and orange. First Edition of the first collaboration between Conrad and Hueffer -- a tale that combines science fiction with political satire, somewhat in the same vein as had recently been popularized by.....
A Novel. Illustrated by Charles R. Macauley. New York: McClure, Phillips & Co., 1904. 8 pp undated ads. Original blue cloth decorated in grey. First American (and first illustrated) Edition of this the second collaboration between Conrad and Hueffer. This is a bright copy, fine externally; the first few leaves.....
Garden City NY: Doubleday, Page & Company, 1924. Original decorative boards with black cloth spine and printed labels, with dust jacket. First American Edition of this last of the three "collaborations" between Conrad and Hueffer/Ford (following THE INHERITORS and ROMANCE). (The English edition is by Conrad and "F. M. Hueffer";.....
