Two separate pages, with the typed heading "#1 Margaret Street | Cavendish Square, W." and dated June 2nd, 1898. This letter is from Gelett Burgess (1866-1951), who after graduating from MIT became an artist and humorist of the 1890s San Francisco literary renaissance -- and who is today best known.....
[original boards, leaves uncut] The Third Edition. London: Printed for A. Strahan; T. Cadell in The Strand; and W. Creech, Edinburgh, 1787. Original blue-grey paper-covered boards with cream paper spine and printed label, page edges uncut. "The London edition," which is to say the third edition overall (so stated, unlike.....
[the Abel Berland copy] London: Printed for John Murray, 1815. 2 pp undated ads, 4 leaves of preliminary titles, and 4 pp ads dated June 1815. Original unprinted drab wrappers. First Edition of this collection of verse, best known for "She Walks in Beauty." HEBREW MELODIES was published during the.....
London: Methuen & Co., (1906). 40 pp ads dated July 1906 (plus two loosely-inserted Methuen ad slips). Original bright red cloth stamped in gilt. First Edition by this prolific (and at the time very popular) author of many novels, often with elements of the supernatural and mystery -- such as.....
With Forty-Two Illustrations by John Tenniel. Eleventh Thousand. London: Macmillan and Co., 1868. Original red cloth with cover vignettes in gilt, all page edges gilt. Early Edition (fourth printing overall), of one of the landmark books of the 19th Century. The book was initially published in London in 1865, so.....
With Sixty-five Illustrations by Arthur B. Frost and Nine by Henry Holiday. London: Macmillan and Co., 1883. 1 page undated ads. Original light green cloth pictorially decorated in gilt. First Edition of Lewis Carroll's first major collection of verse (though some of the material had appeared earlier, in PHANTASMAGORIA and.....
[with 1893 dust jacket] With Forty-six Illustrations by Harry Furniss. London: Macmillan and Co., 1893. 5 pp undated ads. Original red cloth pictorially decorated in gilt, all edges gilt, with dust jacket. First Edition of Carroll's conclusion to his 1889 novel/fairy tale, written with an even more serious tone than.....
Boston and New York: Houghton, Mifflin and Company, 1899. Original brown cloth decorated in black, white and orange. First Edition of this Afro-American writer's first book, a series of seven dialect stories about incidents of slavery, told as reminiscences by an old black gardener. Examples are "Po' Sandy," "Mars Jeem's.....
[Vincent Starrett's copy] containing All the Melodies the Old Lady Ever Wrote. Edited by Dame Goslin. Embellished with an exact likeness of the veritable Mother Goose, and Numerous Engravings from Original Designs. New York: Leavitt & Allen, n.d. [1854?]. Original blind-stamped dark green cloth with gilt-decorated spine. This is one.....
or, Vladimir the Monk. New York: Robert Bonner's Sons, 1888. Original buff wrappers. First Edition in book form, published in the year following the death of this prodigious New England writer (born in Maine). This tale had first appeared in the New York Ledger in 1856, the year in which.....
With Selections from his Journals and Correspondence. By His Son. [in Two Volumes.] London: Longman, Brown, Green, and Longmans, 1848. 32 pp Vol I ads dated April 29, 1848. Original blind-stamped dark purple-brown cloth. First Edition of Wilkie Collins's first book -- a memoir of his father the landscape and.....
With Illustrations. New York: Harper & Brothers, 1866. 2 pp preliminary ads. Original grey-green cloth. First American Edition, published about eight days after Smith Elder's two-volume English edition -- and with 36 illustrations, compared to the UK edition's twenty. This is "Collins's longest novel... The complex plot combines several of.....
Fully Illustrated. Boston: Shepard and Gill, 1874. 10 pp undated ads. Original green cloth decorated in black, lettered in gilt and in orange. First Edition of this mysterious tale, actually published in late 1873 (the English edition, THE FROZEN DEEP AND OTHER STORIES, was published about nine months later --.....
With Illustrations. New York: Harper & Brothers, 1870. 4 pp ads dated July 1870. Original dark purple-brown cloth. First American (and first illustrated) Edition -- and possibly the first edition overall. The English threedecker -- considered to be the scarcest of all of Collins's UK firsts -- was published in.....
[a bright copy] With Many Illustrations. New York: Harper & Brothers, 1868. 4 pp preliminary undated ads. Original blue-green cloth. First American (and first illustrated) Edition of this classic of detective fiction, issued in the same year as the London three-decker. THE MOONSTONE marked the end of Collins's peak period.....
[a handsome set] In Two Volumes. London: Sampson, Low, Son, & Co., 1863. 16 pp ads dated Nov 1863 in each volume. Original green cloth with spines stamped in gilt. First Edition of this collection of twenty-five essays, sketches and other pieces (including some fiction). All of them had initially.....
Translated from the Italian by M[ary]. A[lice]. Murray. Illustrated by C.[sic] Mazzanti. London: T. Fisher Unwin, 1892. Original cream cloth decorated in blue, with endpapers and page edges to match. First Edition in English, issued as a volume in Unwin's "The Children's Library." Lorenzini (1826-1890 -- he used his mother's.....
A Story of an Eastern River. New York: Macmillan and Co., 1895. 3 pp undated ads. Original black cloth. First American Edition of Conrad's first book, with a text that varies considerably from the English edition (because it was typeset from uncorrected proofs). We find the American edition to be.....
A Story of an Eastern River. Second Edition. London: T. Fisher Unwin, 1896. Original dark green cloth. First Edition, early printing -- of Conrad's first book. Though labeled "Second Edition" on the title page, this is actually a reprint of the first edition; all copies of this printing seem to.....
[Conrad's son's tutor's copy] A Story Between Two Notes. London: T. Fisher Unwin, (1919). Original dark green cloth, with dust jacket. First English Edition of this novel set in 1870s Marseille, a port Conrad knew well from his earliest days as a seaman (in France 1874-1879) -- thus English was.....
![THE CHILDREN OF THE SEA [C. W. Stoddard copy]. Joseph Conrad](/pictures/thumb/14405.jpg?v=1571251174)
A Tale of the Forecastle. New York: Dodd, Mead and Company, 1897. Original pictorial light blue-grey mottled cloth. First Edition, first issue, of the tale subsequently published as THE NIGGER OF THE "NARCISSUS." Conrad wrote this story with the "Nigger" title, but consented to change the title for the American.....
A Tale of the Forecastle. New York: Dodd, Mead and Company, 1898. Original pictorial light blue-grey mottled cloth. First Edition, second issue -- with the date 1898 (rather than 1897) on the front of the title leaf. (Note: ALL copies without a date on the front of the title leaf.....
A Tale of the Forecastle. New York: Dodd, Mead and Company, 1897. Original pictorial light blue-grey mottled cloth. First Edition, first issue, of the tale subsequently published as THE NIGGER OF THE "NARCISSUS." Conrad wrote this story with the "Nigger" title, but consented to change the title for the American.....
[1 of 30 signed copies] London: Thirty Copies, numbered and signed by the Author, privately printed by Strangeways and Sons, January 1924. Original light brown wrappers, with glassine dust jacket. First Edition, being one of 30 copies numbered and signed by Conrad, this being No 13. Conrad wrote this as.....
An Appreciation. Canterbury: Printed for Private Circulation by H. J. Goulden, 1922. Original pale turquoise wrappers. First Edition, first printing (i.e. with no title page). Galsworthy had met Conrad in early 1893, when a passenger on board the "Torrens" -- of which ship Conrad was then first mate. This was.....
