[1 of 30 signed copies] London: Thirty Copies, numbered and signed by the Author, privately printed by Strangeways and Sons, January 1924. Original light brown wrappers, with glassine dust jacket. First Edition, being one of 30 copies numbered and signed by Conrad, this being No 13. Conrad wrote this as.....
An Appreciation. Canterbury: Printed for Private Circulation by H. J. Goulden, 1922. Original pale turquoise wrappers. First Edition, first printing (i.e. with no title page). Galsworthy had met Conrad in early 1893, when a passenger on board the "Torrens" -- of which ship Conrad was then first mate. This was.....
An Appreciation. Canterbury: Printed for Private Circulation by H. J. Goulden, 1922. Original pale turquoise wrappers. First Edition, first printing (i.e. with no title page). Galsworthy had met Conrad in early 1893, when a passenger on board the "Torrens" -- of which ship Conrad was then first mate. This was.....
With an Introduction by Richard Curle. Garden City NY: Doubleday, Page & Company, 1926. Original dark blue cloth, with dust jacket. First American Edition of this posthumous collection of twenty essays, most of which had previously appeared in England in limited pamphlet form. In our experience the American edition of.....
London & Toronto: J. M. Dent & Sons, 1926. Original green cloth, with dust jacket. First Edition of this posthumous collection of twenty essays, most of which had previously appeared in limited pamphlet form. Not mentioned on the title page (but noted on the dust jacket) is the fact that.....
[one of 25 copies] London: Privately Printed by Clement Shorter, April 1919. Original red wrappers. First Separate Edition, being one of only 25 numbered copies (this being No. 6). This was the sixth and last of Shorter's very-limited-issue productions of Conrad's writings. This homage to the Thames River had originally.....
![THE MIRROR OF THE SEA [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/13824.jpg?v=1564065620)
[inscribed by Conrad] New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the.....
New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the smaller (17x11mm) anchor-and-rope device.....
Memories and Impressions. London: Methuen & Co., (1906). 40 pp ads dated Aug 1906. Original green cloth decorated in gilt. First Edition of Conrad's first volume of nonfiction, a rambling discourse about life on the sea. Though originally planned as a collection of sketches, during preparation for publication Conrad converted.....
New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the smaller (17x11mm) anchor-and-rope device.....
![NOTES ON MY BOOKS [1/250 signed]. Joseph Conrad](/pictures/thumb/13482.jpg?v=1564065611)
London: William Heinemann, 1921. Original grey boards with Japan vellum spine with printed label. First English Edition, being one of 250 numbered copies signed by Conrad -- this being copy #171. This was actually printed in America: Doubleday Page produced 500 copies, sending half of them to Heinemann for this.....
New York and London: Harper & Brothers, 1912. Original dark blue cloth. First (American) Edition. The American edition was published on January 19, 1912; the English edition, titled SOME REMINISCENCES, was published sometime in January. Precedence is therefore uncertain. This was Conrad's most purely autobiographical work; all subsequent English editions.....
![THE SHADOW-LINE [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/12657.jpg?v=1564065604)
[inscribed to Arthur Symons] A Confession. London & Toronto: J. M. Dent & Sons, (1917). 18 pp undated ads. Original light grey-green cloth decorated in brown. First Edition, first issue (so stated), of Conrad's third autobiographical (though fictionalized) work -- "a Far-Eastern story of a haunted ship... No reader of.....
![THE SHADOW-LINE [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/12671.jpg?v=1564065604)
[inscribed to John Millais] A Confession. London & Toronto: J. M. Dent & Sons, (1917). 18 pp undated ads. Original light grey-green cloth decorated in brown. First Edition, first issue (so stated), of Conrad's third autobiographical (though fictionalized) work -- "a Far-Eastern story of a haunted ship... No reader of.....
London: Eveleigh Nash, 1912. 2 pp undated ads. Original dark blue cloth. First Edition of this autobiographical work, which initially appeared serially in Ford Madox Ford's newly-founded "English Review." What is remarkable about Conrad's reminiscences is how clearly he employed fictional techniques worked out with Ford,... wherein the narrative intensity increases.....
London: Eveleigh Nash, 1912. 2 pp undated ads. Original dark blue cloth. First Edition of this autobiographical work, which initially appeared serially in Ford Madox Ford's newly-founded "English Review." What is remarkable about Conrad's reminiscences is how clearly he employed fictional techniques worked out with Ford,... wherein the narrative intensity increases.....
