London: John Lane / New York: Macmillan & Co., 1896. 16 pp ads dated 1896. Original light brown cloth decorated in dark brown, with dark brown cloth spine elaborately decorated in gilt. First Edition of Buchan's second book, a volume of sixteen essays, preceded only by his SIR QUIXOTE OF.....
London: John Lane / New York: Macmillan & Co., 1896. 16 pp ads dated 1896. Original light brown cloth decorated in dark brown, with dark brown cloth spine decorated in gilt. First Edition of Buchan's second book, a collection of essays, preceded only by his SIR QUIXOTE OF THE MOORS.....
New York: George H. Doran Company, (1915). Original red cloth. First American Edition of Buchan's best-known book, the classic mystery that has withstood the test of time both as a book and as a film. This was the first of Buchan's five mysteries to feature the detective Richard Hannay (the.....
[in light brown boards] Edinburgh and London: William Blackwood and Sons, 1915. 2 pp undated ads. Original light brown paper-covered boards with yapped edges, printed in black. First (Colonial) Edition of Buchan's best-known book, the classic mystery that has withstood the test of time both as a book and as.....
Edinburgh and London: William Blackwood and Sons, 1902. 32 pp ads dated "2/02". Original blue cloth lettered in white and pictorially decorated in orange, black and white. First Edition, first printing, first state -- of one of Buchan's earliest and scarcest fiction titles, and one of his creepiest. It is.....
Not Contained in Any Edition of His Works Hitherto Published. Glasgow, Printed by Chapman & Lang, for Thomas Stewart, Bookseller and Stationer, 1801. Early but not original green morocco-grain cloth. First Edition of this early collection of 29 poems "not... hitherto published," spread over 94 pages. The word "ascribed" is.....
[original boards, leaves uncut] London: Printed for A. Strahan; T. Cadell in The Strand; and W. Creech, Edinburgh, 1787. Original blue-grey paper-covered boards with cream paper spine and printed label, page edges uncut. "The London edition," which is to say the third edition overall (so stated, unlike the prior two).....
[inscribed by Robert Burns] Premiere Edition. A Paris, 1755. Bound in early full calf with red leather spine label. "Premiere Edition." [La Pucelle d'Orléans was] certainly one of his [Voltaire's] more contentious works. An epic and scandalous satire concerning the life of the not-yet-canonised Joan of Arc ("the Maid of Orleans").....
Illustrated by Engravings. Edinburgh: Printed by John Brown, for Bell & Bradfute, Edinburgh, W. Anderson, Stirling, and Thomas Hamilton, London, 1812. Original drab paper-covered boards with plain green cloth spine. First Edition of the first "critique" of the poems of Robert Burns, which though anonymous was written by George Gleig.....
London: Methuen & Co., (1906). 40 pp ads dated July 1906 (plus two loosely-inserted Methuen ad slips). Original bright red cloth stamped in gilt. First Edition by this prolific (and at the time very popular) author of many novels, often with elements of the supernatural and mystery -- such as.....
[inscribed by Lewis Carroll] With Forty-six Illustrations [each] by Harry Furniss. [Together, two volumes.] London: Macmillan and Co., 1889/1893. 3 pp / 5 pp undated ads. Original red cloth pictorially decorated in gilt, all page edges gilt. First Editions of Carroll's rather serious fairy tales. SYLVIE AND BRUNO, with its conclusion.....
With Illustrations by W.T. Benda. Boston and New York: Houghton Mifflin Company, 1918. Original brown linen-grain cloth lettered in light orange. First Edition, first printing (with the date on the FRONT of the title leaf), first state (with the illustrations on coated paper, rather than on text paper). This was.....
With Many Illustrations. New York: Frederick A. Stokes Company, [1915]. Original maroon cloth lettered in gilt with pictorial panel on the front cover, with dust jacket. First Edition, second printing (the first to have a dust jacket) -- of the autobiography of the Irish-American investigative publisher Samuel Sidney McClure --.....
London...: Cassell and Company, (1935). Original dark blue cloth with spine lettered in gilt, with dust jacket. First Edition of this collection of eight cases solved by Father Brown, the diminutive Roman Catholic priest / amateur detective. This was the fifth and last collection of Father Brown cases, preceded by.....
or, Vladimir the Monk. New York: Robert Bonner's Sons, 1888. Original buff wrappers. First Edition in book form, published in the year following the death of this prodigious New England writer (born in Maine). This tale had first appeared in the New York Ledger in 1856, the year in which.....
[first fiction, in original cloth] A Romance of the Fifth Century. London: Richard Bentley, 1850. 2 pp undated ads in Vols II and III, as well as printed endpaper ads in all three volumes. Original cream embossed cloth with blind-stamping on the covers and gilt stamping on the spines. First.....
![Item #14839 THE FALLEN LEAVES. First [and only] Series. In Three Volumes. Wilkie Collins](https://sumnerandstillman.cdn.bibliopolis.com/pictures/14839.jpg?width=320&height=427&fit=bounds&v=1630682102)
London: Chatto & Windus, 1879. Bound in three-quarter red morocco with gilt-paneled spines, red cloth boards, marbled endpapers. First Edition of this novel about "fallen leaves... the people who have drawn blanks in the lottery of life... the friendless and the lonely, the wounded and the lost." The novel follows the.....
With Illustrations. New York: Harper & Brothers, 1870. 4 pp ads dated July 1870. Original violet straight-grain-morocco cloth. First American (and first illustrated) Edition -- and possibly the first edition overall. The English threedecker -- considered to be the scarcest of all of Collins's UK firsts -- was published in.....
With Many Illustrations. New York: Harper & Brothers, 1868. 2 pp preliminary undated ads. Original purple-brown cloth. First American (and first illustrated) Edition of this classic of detective fiction, issued in the same year as the London three-decker. THE MOONSTONE marked the end of Collins's peak period as a novelist.....
[a handsome set] London: Sampson, Low, Son, & Co., 1863. 16 pp ads dated Nov 1863 in each volume. Original green cloth with spines stamped in gilt. First Edition of this collection of twenty-five essays, sketches and other pieces (including some fiction). All of them had initially appeared between 1856.....
London: Sampson Low, Son, & Co., 1862. Original blind-stamped pebbled orange cloth with gilt-decorated spines. First Edition of "the most unjustly neglected of all Wilkie Collins's novels" [Robinson]. Written at the peak of Collins's career just after THE WOMAN IN WHITE, Sampson Low paid Collins 3,000 for NO NAME, and.....
A Story of an Eastern River. Second Edition. London: T. Fisher Unwin, 1896. Original dark green cloth. First Edition, early printing -- of Conrad's first book. Though labeled "Second Edition" on the title page, this is actually a reprint of the first edition; all copies of this printing seem to.....
[a handsome copy] London: T. Fisher Unwin, 1895. Original dark green cloth. First Edition of Joseph Conrad's first book, an edition believed to have consisted of 1000-1250 copies. Conrad, after meeting the real "Olmeijer" in East Borneo in 1887, gradually produced the manuscript of this book over the six years.....
[the leaves still unopened] London: T. Fisher Unwin, 1895. Original dark green cloth. First Edition of Joseph Conrad's first book. "In the absence of publisher's records, the number of copies printed has been estimated to be between 600 and 3000, with approximately 1100 being the most likely number" [Supino]. Conrad.....
Garden City NY: Doubleday, Page & Company, 1914. Original navy blue cloth decorated in gilt. First American Edition, fifth and last 1914 impression (NOT so identified -- but per Supino and per Cagle, the fifth has no border around the title page, and its half-title does bear the ship device).....
