[a handsome copy] London: T. Fisher Unwin, 1895. Original dark green cloth. First Edition of Joseph Conrad's first book, an edition believed to have consisted of 1000-1250 copies. Conrad, after meeting the real "Olmeijer" in East Borneo in 1887, gradually produced the manuscript of this book over the six years.....
A Tale of the Forecastle. New York: Dodd, Mead and Company, 1898. Original pictorial light blue-grey mottled cloth. First Edition, second issue -- with the date 1898 (rather than 1897) on the front of the title leaf. (Note: ALL copies without a date on the front of the title leaf.....
An Appreciation. Canterbury: Printed for Private Circulation by H. J. Goulden, 1922. Original pale turquoise wrappers. First Edition, first printing (i.e. with no title page). Galsworthy had met Conrad in early 1893, when a passenger on board the "Torrens" -- of which ship Conrad was then first mate. This was.....
![LAUGHING ANNE [1/200 copies signed]. Joseph Conrad](/pictures/thumb/13104.jpg?v=1564065607)
[1 of 200 signed copies] A Play. London: [Morland Press,] 1923. Original full limp vellum, in the original green cloth box with spine label. First Edition, being one of 200 copies numbered and signed by Conrad (this being #177) -- issued as the fourth title in the Morland Press's "The.....
New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the smaller (17x11mm) anchor-and-rope device.....
New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the smaller (17x11mm) anchor-and-rope device.....
London: Methuen & Co., (1906). 40 pp ads dated October 1906. Original green cloth with spine decorated in gilt. First Edition of Conrad's first volume of nonfiction, a rambling discourse about life on the sea. Though originally planned as a collection of sketches, during preparation for publication Conrad converted it.....
New York and London: Harper & Brothers, 1904. Original green cloth decorated in orange and black. First American Edition of Conrad's well-known novel involving a South American silver mine, and the corruption and dishonesty fostered by its riches. Conrad was extending his "Lord Jim" theme: that the man who slowly grows.....
[Shakespeare & Co. copy] London: T. Fisher Unwin, 1896. 1 page preliminary undated ads. Original dark green cloth. First Edition of Conrad's second book, preceded only by (and containing many of the same characters as) ALMAYER'S FOLLY. After Edward Garnett (then a reader at Unwin's) had "discovered" Conrad and had.....
Illustrations by Dan Sayre Groesbeck. New York: The McClure Company, 1908. Original green cloth pictorially decorated in white. First Separate (and First American) Edition. Earlier in 1908 this tale was published in England (as "The Duel") with five others in A SET OF SIX; it was McClure's publication of this.....
[one of 25 copies] London: Printed for The Author | By Richard Clay and Sons, Ltd., 1920. Original tan wrappers. First Edition, being one of 25 numbered copies, of which this is No 14. This was the nineteenth of the twenty very-limited-issue Conrad productions by Thomas J. Wise. This tale.....
![THE SECRET AGENT. A Drama in Three Acts [1/1000 copies signed]. Joseph Conrad](/pictures/thumb/13073.jpg?v=1564065607)
London: Privately Printed for Subscribers only by T. Werner Laurie, 1923. Original parchment-backed boards with spine label, with dust jacket. First Published Edition, which is to say the Limited Edition -- being one of 1000 numbered copies signed by Conrad (this being #475). This was Conrad's dramatization of his 1907.....
London: Eveleigh Nash, 1912. 2 pp undated ads. Original dark blue cloth. First Edition of this autobiographical work, which initially appeared serially in Ford Madox Ford's newly-founded "English Review." What is remarkable about Conrad's reminiscences is how clearly he employed fictional techniques worked out with Ford,... wherein the narrative intensity increases.....
With a Preface by R. B. Cunninghame Graham. London: T. Fisher Unwin, (1925). Original dark green cloth, with dust jacket. First (English) Edition, published on the same day as the American. This posthumous collection of four tales, published the year after Conrad died, includes "The Tale," considered to be one.....
London: T. Fisher Unwin, 1898. 14 pp undated ads. Original dark green cloth. First English Edition of Conrad's fourth book -- his first collection of short stories (including "An Outpost of Progress," a Congo tale anticipating his later "Heart of Darkness"). The American edition by Scribner's is believed to have.....
[in (original?) glassine] Hodder & Stoughton / New York / George H. Doran Company, n.d. [1912]. Original red cloth. First American Edition of this three-tale collection best known for "The Secret Sharer" -- Conrad's most famous short story other than "Heart of Darkness." This was Doran's first and only printing.....
London: William Heinemann, 1903. 2 pp preliminary ads + 32 pp terminal ads, undated. Original dark grey cloth with front-cover life preserver in gilt. First Edition, first (i.e. non-Colonial) issue, limited to 1,500 copies. In addition to the title tale, the "other stories" are "Amy Foster," "Falk" and "To-morrow" ("Falk".....
Garden City NY: Doubleday, Page & Company 1915. Original navy blue cloth decorated in gilt. First Edition (published six months before the London edition) of Conrad's sad tale of Axel Heyst and the evil (for which read "Germanic") Schomberg. Due to the six-month delay of Methuen's edition, with the Great.....
New York: McClure, Phillips & Co., 1901. Original tan cloth pictorially decorated in black and orange. First Edition of the first collaboration between Conrad and Hueffer -- a tale that combines science fiction with political satire, somewhat in the same vein as had recently been popularized by H.G. Wells. This.....
Illustrated by Charles R. Macauley. New York: McClure, Phillips & Co., 1904. 8 pp undated ads. Original blue cloth decorated in grey. First American (and first illustrated) Edition of this the second collaboration between Conrad and Hueffer. This is a bright copy, fine externally; the first few leaves are creased.....
Garden City NY: Doubleday, Page & Company, 1924. Original decorative boards with black cloth spine and printed labels, with dust jacket. First American Edition of this last of the three "collaborations" between Conrad and Hueffer/Ford (following THE INHERITORS and ROMANCE). (The English edition is by Conrad and "F. M. Hueffer";.....
New York / London: Edward Arnold, 1896. 8 pp undated ads. Original tan cloth. First Edition of Crane's fourth book (just after THE RED BADGE OF COURAGE). This is a tale of a church-going mother and her idealistic expectations for her saloon-going son (Crane's mother and brother are much in.....
New York / London: Edward Arnold, 1896. 8 pp undated ads. Original tan cloth. First Edition of Crane's fourth book (just after THE RED BADGE OF COURAGE). This is a tale of a church-going mother and her idealistic expectations for her saloon-going son (Crane's mother and brother are much in.....
Illustrated by John Sloan. Philadelphia: J.B. Lippincott Company, 1901. Original red cloth decorated in silver and gilt. First Edition. Crane dreamed up the idea of dramatizing great battles as a money-making scheme: "such sure quick money," he wrote his agent Pinker. Crane was very familiar with recent battles: since 1895.....
New York: D. Appleton and Company, 1897. Original tan cloth decorated in red, black and gilt. First Edition of Crane's sixth book, a romance about young impoverished artists. It was not long after he finished writing this, and before it was published, that Crane was shipwrecked near Jacksonville, as he.....
