![ALMAYER'S FOLLY [Edward Garnett's copy]. Joseph Conrad](/pictures/thumb/13421.jpg?v=1507051288)
[Edward Garnett's copy] A Story of an Eastern River. Second Edition. London: T. Fisher Unwin, 1896. Original dark green cloth. First Edition, early but not first printing, of Conrad's first book. The first printing came out in 1895 (bearing that date on the title page) -- some domestic copies and...
A Story of an Eastern River. New York: Macmillan and Co., 1895. 3 pp undated ads. Original black cloth. First American Edition of Conrad's first book, with a text that varies considerably from the English edition (because it was typeset from uncorrected proofs). We find the American edition to be...
A Story of an Eastern River. Second Edition. London: T. Fisher Unwin, 1896. Original dark green cloth. First Edition, early printing -- of Conrad's first book. Though labeled "Second Edition" on the title page, this is actually a reprint of the first edition; all copies of this printing seem to...
[Conrad's son's tutor's copy] A Story Between Two Notes. London: T. Fisher Unwin, (1919). Original dark green cloth, with dust jacket. First English Edition of this novel set in 1870s Marseille, a port Conrad knew well from his earliest days as a seaman (in France 1874-1879) -- thus English was...
A Tale in Two Parts. London: Methuen & Co., (1914). 8 pp ads dated Autumn 1913. Original green cloth decorated in gilt. First Edition of the novel that revived Conrad's career, a popular smash after about a decade without one. Conrad had been working on it since 1906. It was...
A Tale of the Forecastle. New York: Dodd, Mead and Company, 1898. Original pictorial light blue-grey mottled cloth. First Edition, second issue -- with the date 1898 (rather than 1897) on the front of the title leaf. (Note: ALL copies without a date on the front of the title leaf...
A Tale of the Forecastle. New York: Dodd, Mead and Company, 1897. Original pictorial light blue-grey mottled cloth. First Edition, first issue, of the tale subsequently published as THE NIGGER OF THE "NARCISSUS." Conrad wrote this story with the "Nigger" title, but consented to change the title for the American...
![THE MIRROR OF THE SEA [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/13824.jpg?v=1507051298)
[inscribed by Conrad] New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the...
New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the smaller (17x11mm) anchor-and-rope device.....
Memories and Impressions. London: Methuen & Co., (1906). 40 pp ads dated Aug 1906. Original green cloth decorated in gilt. First Edition of Conrad's first volume of nonfiction, a rambling discourse about life on the sea. Though originally planned as a collection of sketches, during preparation for publication Conrad converted...
New York and London: Harper & Brothers, 1906. Original blue cloth pictorially decorated in yellow, grey and brown. First (American) Edition, published on the same day as the London one. This was Conrad's first volume of autobiographical non-fiction. This copy is in Cagle's binding "a," with the smaller (17x11mm) anchor-and-rope device.....
A Tale of the Seaboard. London and New York: Harper & Brothers, 1904. Original dark blue cloth decorated in light blue. First Edition of Conrad's great novel involving a South American silver mine, and the corruption and dishonesty fostered by its riches. Conrad was extending his "Lord Jim" theme: that the...
New York: D. Appleton and Company, 1896. 10 pp undated ads. Original green cloth decorated in red and black. First American Edition of Conrad's second book, issued as #198 in Appleton's "Town and Country Library." Books in the "Town and Country Library" were issued in three formats: this standard one...
London: T. Fisher Unwin, 1896. 1 page preliminary undated ads. Original dark green cloth. First Edition of Conrad's second book, preceded only by (and containing many of the same characters as) ALMAYER'S FOLLY. After Edward Garnett (then a reader at Unwin's) had "discovered" Conrad and helped him get his first...
London: T. Fisher Unwin, 1896. 1 page preliminary undated ads. Original dark green cloth. First Edition of Conrad's second book, preceded only by (and containing many of the same characters as) ALMAYER'S FOLLY. After Edward Garnett (then a reader at Unwin's) had "discovered" Conrad and helped him get his first...
New York and London: Harper & Brothers, 1912. Original dark blue cloth. First (American) Edition. The American edition was published on January 19, 1912; the English edition, titled SOME REMINISCENCES, was published sometime in January. Precedence is therefore uncertain. This was Conrad's most purely autobiographical work; all subsequent English editions...
A Romance of the Shallows. Garden City NY: Doubleday, Page & Company, 1920. Original blue cloth decorated in gilt, with dust jacket. First Edition, published a month before Dent's London edition. THE RESCUE was Conrad's albatross, the book which hung about his neck from the beginning of his writing career until...
A Romance of the Shallows. Garden City NY: Doubleday, Page & Company, 1920. Original blue cloth decorated in gilt, with dust jacket. First Edition, published a month before Dent's London edition. THE RESCUE was Conrad's albatross, the book which hung about his neck from the beginning of his writing career until...
Garden City NY: Doubleday, Page & Company, 1923. Original blue cloth, with dust jacket. First Trade Edition (preceded one day earlier by a 377-copy special edition), published before the English edition. In December [1921], Conrad began The Rover as a short story. It was clearly an outgrowth of his stay in...
[inscribed by Conrad's wife] Garden City NY: Doubleday, Page & Company, 1923. Original blue cloth. Printer's advance mock-up copy of the first trade edition. The binding is the standard one for this American edition, but inside, the contents consist of the preliminary leaves through page 4 of the text --...
London: T. Fisher Unwin, (1923). Original dark green cloth, with dust jacket. First English Edition, published two days after the American trade edition. In December [1921], Conrad began The Rover as a short story. It was clearly an outgrowth of his stay in Corsica... [which] triggered a whole series of memories...
![A SET OF SIX [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/12667.jpg?v=1507051283)
[inscribed to Llewelyn Davies] Garden City NY: Doubleday, Page & Company, 1915. Original dark blue cloth. First American Edition of this collection of six short stories. The English edition had been published in 1908, and in the same year one of the stories, "The Duel," was published alone by McClure...
![THE SHADOW-LINE [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/12657.jpg?v=1507051282)
[inscribed to Arthur Symons] A Confession. London & Toronto: J. M. Dent & Sons, (1917). 18 pp undated ads. Original light grey-green cloth decorated in brown. First Edition, first issue (so stated), of Conrad's third autobiographical (though fictionalized) work -- "a Far-Eastern story of a haunted ship... No reader of...
![THE SHADOW-LINE [inscribed by Conrad]. Joseph Conrad](/pictures/thumb/12671.jpg?v=1507051283)
[inscribed to John Millais] A Confession. London & Toronto: J. M. Dent & Sons, (1917). 18 pp undated ads. Original light grey-green cloth decorated in brown. First Edition, first issue (so stated), of Conrad's third autobiographical (though fictionalized) work -- "a Far-Eastern story of a haunted ship... No reader of...
London: Eveleigh Nash, 1912. 2 pp undated ads. Original dark blue cloth. First Edition of this autobiographical work, which initially appeared serially in Ford Madox Ford's newly-founded "English Review." What is remarkable about Conrad's reminiscences is how clearly he employed fictional techniques worked out with Ford,... wherein the narrative intensity increases...
